Showing posts with label Philadelphia Orchestra. Show all posts
Showing posts with label Philadelphia Orchestra. Show all posts

Sunday, May 19, 2013

Rimsky Korsakov Scheherazade, Stokowski, Philadelphia Orchestra, February 6, 1962 broadcast



Nikolai Rimsky-Korsakov

Scheherazade 



Philadelphia Orchestra, 
Leopold Stokowski, Conducit 

February 6, 1962 broadcast recording

Reel-to-reel tape* source






Radio announcer starts the party, applause and ending whoops included. The crucial second movement solo violin parts are given to us, I assume, by Anshel Brusilow. They are everything I wish for in this work. Also,  you may know that when you need a satisfying spectacle, a pint of Stoki is your only man. I have had a Scheherazade orgy this past 3 weeks, and so finally just decided to post a particularly fetching version. As always, this is not available commercially by any official sources.    

The contributor remarks, "*Many thanks to Jack (JackG) for his help in restoring the portion of the second movement missing from my tape."




thanks:

Jeffrey Catherine Jones (1944-2011) for making the art in 1970. Obviously I stole it.

Ray, JackG and the other symphonyshare folks who worked on this, then put it up. Obviously I stole it.


Guillermo

Wednesday, March 17, 2010

Mahler's 9th, Giulini, The Fabulous Philadelphians in 1972: What a ride!


Statework is ridiculously proud to present (all thanks to Ray):




Gustav Mahler

Symphony # 9



The Philadelphia Orchestra

Carlo Maria Giulini, conductor


Alan places the recording from either the March 17

(Friday concert) or March 18 (Saturday evening concert)

Philadelphia, PA

1972.


Ray contributed this, "One of the great performances of this symphony. In excellent sound. "


In the crowded football field full of Mahler 9th recordings that exist in the world, here is a standout, a steal, a touchdown.


-Or, as some of my fellow broadcast freaks ahem, expert listeners have effused: "...a gem, indeed...", "As fine as his studio recording is, this is even better. Again, the situation of a live performance is just more tense and intense. Did I hear
Giulini's voice somewhere in the first movement? And forget about that
trumpet intonation at the start of III, the orchestra is flat out gorgeous..."


Tom V, a Statework member, remembers the concerts:


"I was there at the Saturday night concert, up in the $1.50 or $2 "nosebleed" seats in the amphitheatre of the Academy of Music. It was my first live performance of any Mahler symphony and "live" is an understatement.

Giulini's Chicago recording never matched my memories of the Phila concert. Now I know my memory is correct.

Three notes:
1.Giulini conducted the performance w/o a score.

2. I don't recall a dog barking during Saturday's performance, so this must be Friday.

3. The announcer is probably from the late lamented WFLN, which was heavily involved in the production of the Orchestra's radio series for many years..."


My own scribbling from a third hearing (many more have passed since then!) include '...incisive attacks-surging, oceanic but opposite of schmaltz-then a clearing, a respite...3:47 Giulinian stomping ensues-'


Please listen closely to this recording for what you will, not least of which may include the oddball, "...And I thought there was a dog bark in the last movement! Sounded like a little lap thing who woke up in her master's purse"


En fin, a must-have. If it happens to be your first brush with the Mahler 9th or Mahler 's work (gasp!) in general, you couldn't have come across a finer first date. And before this I thought I was taking a Mahler vacation...



Tuesday, November 10, 2009

Ivan Moravec, Philadelphia Orchestra with Keene: Grieg Piano Concerto live 1984


Sometimes I'm silly and try to stick words in here to describe or peddle or even vaguely reflect music.

unnecessary here.






Edvard Grieg

Piano Concerto


Ivan Moravec, piano

The Philadelphia Orchestra

Christopher Keene, conductor

live broadcast, October 19, 1984



I've no other info about this save that it is Ivan's debut with the Fabulous Philadelphians.



Links for this in comments, as customary; if you enjoy this, I must suggest


something that has given more enjoyment with each listen,

from the Czech recording company Supraphon's

collaboration with Mr. Moravec:


Live In Brussels


He plays the Beethoven Pastoral sonata, Some Chopin mazurki, nocturnes, the Scherzo in B minor and a few of his Brahms lagniappes, always twinkling with a watchmaker's focus and brilliance.



As it is an official release, very reasonably priced and relatively available,

here is the link to see it and buy it if you wish


http://www.supraphon.com/en/catalogue/releases/?item=827



With that, I have no other comment than I love Ivan Moravec.


Guillermo



Jack brought the Grieg concerto to symphonyshare, and I couldn't but share- A thousand thanks Jack!